Showing posts with label Santiam Scrappers Quilt Guild. Show all posts
Showing posts with label Santiam Scrappers Quilt Guild. Show all posts

Thursday, October 29, 2015

Melted Crayon Workshop with Terrie Kygar (10/30/2012)

Wowee!  Did we have a great time at our class on Saturday :o)  Our guild, Santiam Scrappers Quilt Guild, had Terrie over and she put on a class for us with crayons, irons and pressing sheets.
So. Much. Fun.
Have to say it didn't really seem like my kind of thing since I am pretty harsh on criticizing my own coloring skills, but dang - it was fun and turned out really cool!  So, so, so glad I did it!
Terrie and her daughter Kristy came over from Dallas and brought all kinds of fun stuff with them.  She taught the techniques out of her book, Creative Quilts From Your Crayon Box.  I would totally recommend buying the book, the techniques are really clear and the projects turn out totally adoreable.  Click here, here and here for sites that sell the book.
We all arrived and set up our stations.  We needed an iron, pressing pad, applique pressing sheet, paper towels, crayons (Crayola of course!), colored pencils (we used Lyra), pigma pens and muslin (she recommended Southern Belle Muslin) backed with fusible web (recommends Steam-A-Seam Sticky Back).
We started off with the pear, then moved on to a leaf, trumpet flower, humming bird and a flower with separate petals.  Check out Martha's Blog, Quilt To The Edge, for great step by step photos of Terrie doing her thing.
The rest of this is going to be nothing but photos - I took a lot of us as we worked.
Arline setting up
Ginger and Cindy setting their stations up
Arline's pear
Ginger and Cindy working on their pears
Linda's pear
My finished pear
Ginger's finished pear
Class's finished pears
Cindy's leaf
Peggy's leaf
Arline's leaf
Jo Ann's leaf
Martha's Leaf
Class's finished leaves
Blank trumpet flower and my color selection
My trumpet flower with the light color
My trumpet flower with the medium color
My trumpet flower with the dark and contrast colors
My trumpet flower with green leaves
My finished trumpet flower
Ginger's trumpet flower
Linda's trumpet flower
Arline's trumpet flower
Peggy's trumpet flower
Jo Ann's trumpet flower
Martha's trumpet flower
Class's finished trumpet flowers
Jo Ann's hummingbird
Arline's hummingbird
Ginger's hummingbird
Jo Ann's hummingbird
Peggy's hummingbird
My finished hummingbird - of course it has to be different!
Some finished hummingbirds
Ginger's petal flower
Jean's petal flower
My finished pieces
Here is a video where Terrie demonstrates the melt-n-blend technique

Hope you liked the smorgasboard of photos - I know that we all had a FANTASTIC TIME!

woof woof meow

Scrappers BOM - July (7/17/2012)

This month Ginger picked the Kansas Trouble block for our July BOM.  The theme was red, white and blue.

Quilting Ranger's Pride (7/1/2012)

I got to Diane’s this morning and got to work as soon as I got there.  With about 45 minutes total breaks to eat and potty, I got the quilting done in 8 hours.  The machine said I had 4 active machine hours.  I look forward to cutting that extra 4 hours of messing around down as I get better at the designs on the machine.  In addition to the batiks I used for the top and backing, I used a single layer of Warm and Natural cotton batting, a navy blue Superior Threads and Superior Threads King Tut Line #927, De Nile (it is a variegated thread with all the blues to match the top).  The first step was done a couple of weeks ago: marking the quilt top.  I drew out the whole quilt (easy since it was a small baby quilt) in permanent marker on graph paper, then started to doodle in the empty spaces with a pencil and a lot of eraser.  This is what came out of the couple hours I spent on it. 
 
A close-up shows all the elements in a corner. 
Then I used a Clover Fine Tip White Marking Pen and started to mark the quilt with the designs I put on the sketch.  After one entire block of all the designs, I decided it would be best to just do the triangle swirls and do the flower free hand when I got on the machine. 
Next step was to pin the backing to the frame, then lay the batting and quilt top on top of that and square the top up.  I never really paid attention to this step much with my other quilts and I paid the price (luckily none of them were ever shown in any shows where they were judged), they came out wonky.  The long arm has horizontal and vertical stops so it makes it easy to line the edges up and make sure everything is square. 
Once that was done, the actual quilting begun!  I started with Stitching In The Ditch on all the seams that I drew out in permanent marker on my drawing paper.  These served to divide the quilt even more than the actual colors in the blocks did and also to really frustrate me.  Can’t seem to stitch a darn straight line with that! 
I used a tool called Linda Mae’s Ditch Stitcher and it worked great on the open areas when I stitched my diving lines in the borders. 
The borders I divided up into triangles that I put the triangle swirl in and flowers.  The triangle swirls were an iteration of the original triangle echoes that I drew on the sketch.  I learned in my practice quilting that the echoes were just not time effective since they weren’t continuous lines. 
 
 
I also jumped from each triangle to the next rather than clipping the thread and moving to each new spot. 
 
The triangle swirls were half the brown borders and in each brown pinwheel. 
I also did small and large flowers in the quilt.  The other half of the brown borders were in flowers.   
I used the jumping technique with the flowers too. 
The larger flowers I put in the half square triangles of the dark blue pinwheels.   
 All together the three look pretty nice, triangle swirls, small flowers and big flowers. 
For the filler in the light blue spaces of the blocks I originally had straight lines with hearts at the ends. 
 
I changed that up a little bit by adding squiggly lines to the straight ones and doubling the hearts. 
I hope it will puff up a little when I wash the quilt so you get some puffiness to the baby quilt to off-set the heavy quilting in the borders. 
The dark blue borders I just did straight lines.   
 
You can kind of see the variegation in the thread in the straight lines. 
In order to do the straight lines on the long sides of the quilt, we had to un-pin and turn the quilt 90 degrees and re-pin it to the frame.  Took a little bit of tweaking but we got it on right.  Everything looks pretty much like the original sketch, with the few tweaks I had to make. 
I was very happy to un-pin it and take it off the machine! 
Here is what I had looking over my shoulder the entire time – isn’t it cool?!?  Diane took a class where they enlarged a picture of something (in this case a dahlia), changed it to grey-scale, assigned each grey a real color, then translated it to raw-edge appliqué.  She FMQ it on her Juki and I think it looks great! 
 
This is the BOM for the Santiam Scrappers Quilt Guild for June – strawberry block. 
I just did mine as raw edge and whoever wins the block can quilt it as they like.  Needle turn is still wayyyyyyy beyond me.